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Featured Composer: Omar Blyde
This track is from Blyde’s album “Orchestral Fantasy.” Have a listen to the track and check out Dave’s feedback!
Left vs Right Brain Thinking for Composers
Our cognitive processes are generally divided into the two hemispheres of our brain. The “left brain” is analytical and logical. The “right brain” houses imagination and intuition. Let’s explore the intersection of neuroscience and composition!
Featured Composer: Jerome Detotto
A lifelong music lover and musician, Jerome performed in nightclubs with rock cover bands in the 1980s. Though he no longer performs live, he continues to write and record music in his home studio. Jerodet Music was created to market his original compositions to the TV and film industry. His music ranges from quirky pop to EDM to orchestral/synth hybrid, and much in between.
How Gaming Makes Me a Better Composer
As a lifelong gamer, I've come to realize that the decades spent leveling characters, looting corpses, and stomping sentient fungus have led to real, tangible skills that have benefited me as a professional composer.
So today, we’re going unpack 5 ways in which gaming can help your career in production music!
Overcoming and Avoiding Burnout
Dave Kropf discusses avoiding burnout in music composition, coping with burnout when it happens, plus self-care and wellness strategies. Learn to deal with strict clients, the repetitive nature of production music, competition, rejection, and more.
PROs Explained
There are a lot of moving parts to getting paid when your music gets placed on TV and as production music composers, the majority of the money we make depends on backend royalties managed by PROs or Performing Rights Organizations.
So on today's episode, I examine the role of PROs, what they do, how they operate, and how they determine how much you get paid.
5 Ways the 80/20 Rule Can Boost Your Career in Production Music
The 80/20 rule, or “Pareto Principle,” is a concept that states that 80% of the outcomes in life can be attributed to 20% of causes, and as it turns out, this principle can also be applied to our development as composers.
On this week’s episode, we unpack 5 ways to use this 80/20 rule to boost our careers in production music, as well as talk about some pitfalls to watch out for if this all goes sideways.
Featured Composer: Kris Claerhout
Kris Claerhout began his "sync" adventure at the beginning of the pandemic, finding great enjoyment in it—and earning a modest income as well. Kris is also a label manager and booking agent.
Featured Composer: Harley Toberman
Harley Toberman, also known as Toby Tune, is a versatile music artist whose career began at age 12. His musical range is broad, encompassing genres such as pop, jazz, comedy, trailers, children's music, classical, and Lo Fi. His most recent project is a 10 cut album of Lo Fi Chill music.
From Sample Making to Filmmaking with Jon Meyer
We production music folks tend to have a lot of irons in the fire and I can’t think of a leader in our industry who best embodies this than Jon Meyer (@JonMeyer)!
Jon has just released his brand new Kontakt instrument, Soft Drums, and I wanted to have him on the show to not only talk about that, but also, to share how he balances so many creative outlets - from music making to sample making to filmmaking.
Featured Composer: Dolfo Picanco
Picanco is a high school band teacher and life-long music maker. He’s been been composing and arranging for years, and is now investing in the creation and production of his own music.
Dolfo submitted Crush ’em All to the Community to get some feedback. It’s his first venture at a stomp/clap, though he has lots of experience with rock tunes. He mentioned that the cue still needs mastering work to clean up some 60 cycle hum. He asked for feedback specifically on structure, the level of interest it keeps, and thoughts on the stomp clap sounds.
Production Music Q&A
Dive into the world of production and library music with Dave Kropf on the 52 Cues podcast. This episode covers mastering alts and stems, AI tools, pitching to libraries, choosing sounds for cues, backend royalties, finding references, mastering dynamic tracks, panning practices, using samples, placements in PRO catalogs, transition music, and learning sample libraries.
Explore the ins and outs of being a working production music composer!
Do Libraries Owe Us a Response on Returns?
Last week I posed a burning question: should libraries reach out to composers whose music was forwarded by Taxi but not selected? This ignited a spirited discussion among composers, publishers, and everyone in between, shared via YouTube comments, our 52 Cues community, DMs, and emails.
Join me this week on the 52 Cues Podcast as we dive deeper into the Taxi debate with their President and CEO, Michael Laskow. We'll uncover the truth behind showbiz rejections, learn how to bounce back from bruised egos, and examine why Taxi-forward success might make make the silence sting that much more.
Featured Composer: Doug Knight
Doug is excited to be a part of this community of creatives! While new production music, he’s already seeing success with placements! He is learning as much as he can, and is enjoying the journey.
Is Tunesat Really Worth the $$$?
TuneSat can detect nearly any music placement on TV throughout the US and EU, and while it has its limitations, it can be a good way to see if your cues are getting traction. But what can we actually do with this information? And is it even worth the CRAZY subscription cost?
Featured Composer: Enrico Caporale
Enrico Caporale lays some Cuban salsa on us! Visit the 52 Cues Community to check out the great feedback he got from community members!
10 Piano VSTs Compared!
While I’m not a pianist, I’ve certainly done a fair amount of piano programming as well as lot of research looking for that perfect piano sound. On today's episode I compare ten (yes ten!) piano libraries with examples from meditation to jazz and Beethoven to Debussy.
What do Editors Want?
It’s one thing to talk about what editors need, but it’s another to have the opportunity to hear straight from the source. So I was thrilled when I had the chance to chat with Josh Siegel, a film editor who makes his living making the shows that use so much of our music.
Featured Composer: Richard Bagley
Richard got tons of feedback on this trailer cue at the 52 Cues Community. In response, Bagley said:
“…[I] always really appreciate your comments, thank you. So important to get this kind of feedback, especially when you have been working on a track for some time and get so used to how it sounds. Together we are better - onwards and upwards!
Featured Composer: Jenny Goodspeed
Jenny Goodspeed is a singer, songwriter, band member, and aspiring production music composer.
“I watched Dave Kropf’s awesome mixing and mastering workshop and some other electronic music mixing tutorials, and took a stab at new pulsing tension cue.”