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Production Music Q&A

Production Music Q&A

Dive into the world of production and library music with Dave Kropf on the 52 Cues podcast. This episode covers mastering alts and stems, AI tools, pitching to libraries, choosing sounds for cues, backend royalties, finding references, mastering dynamic tracks, panning practices, using samples, placements in PRO catalogs, transition music, and learning sample libraries.

Explore the ins and outs of being a working production music composer!

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Do Libraries Owe Us a Response on Returns?

Do Libraries Owe Us a Response on Returns?

Last week I posed a burning question: should libraries reach out to composers whose music was forwarded by Taxi but not selected? This ignited a spirited discussion among composers, publishers, and everyone in between, shared via YouTube comments, our 52 Cues community, DMs, and emails.

Join me this week on the 52 Cues Podcast as we dive deeper into the Taxi debate with their President and CEO, Michael Laskow. We'll uncover the truth behind showbiz rejections, learn how to bounce back from bruised egos, and examine why Taxi-forward success might make make the silence sting that much more.

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Is Tunesat Really Worth the $$$?

Is Tunesat Really Worth the $$$?

TuneSat can detect nearly any music placement on TV throughout the US and EU, and while it has its limitations, it can be a good way to see if your cues are getting traction. But what can we actually do with this information? And is it even worth the CRAZY subscription cost?

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