What outlets should I submit my cues to in order to receive publishing or placements?

Here we are at the end of our journey! How'd I do on my quest to write at least 1 cue per week? What are the lessons I learned along the way? What's next for the channel? I answer all of these questions, as well as unpack an intrigue tension cue featuring my own custom Omnisphere patch on this final, super-sized Week 52 Check-In.

If you write any kind of tension music, you need these two items in your arsenal. Plus, I unpack an intrigue tension cue titled, "Incision Decision."

I break down my light tension cue, “Through the Barrens”

On today's episode, I finally lay to rest which is the best DAW for production music composers!

02:29 – Composers love talking about DAWs

04:33 – Pro Tools

10:28 – Logic Pro

17:51 – Cubase

23:39 – Ableton Live

31:30 – Honorable Mentions (Reason, FL Studio, Reaper, Studio One, Digital Performer)

42:16 – The Verdict: Which DAW is the Best?

I discuss why I use the same song form on nearly every production music cue, and I unpack that form on a recent flamenco-infused dramedy cue.

I discuss why I use the same song form on nearly every production music cue, and I unpack that form on a recent flamenco-infused dramedy cue.

In this 52 Cues Quick Tip, I show you how I clean up noisy audio using the Spectral De-Noise tool in Izotope RX! 

Join me in this in-depth look at the sounds, arrangement, and libraries for my ominous tension cue, "Evolving Intent," recently featured on Oxygen's "Dying to Belong"

"Evolving Intent" © 2017 Unified Sounds

In the first of a series of deep dive videos, I take an in-depth look through the sounds, patches, and arrangement of my library track, “Like a Bawse” recently featured on the NFL on CBS.